STREAM: Leela Gilday - "Heart of the People"

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Dene singer-songwriter Leela Gilday returns with her fourth studio album, Heart of the People, that celebrates her homeland, her nation, and her love of the land.

Leela Gilday's music has always been a passionate mix of soaring vocals, beautiful melodies, and the effortless interweaving of sounds and stories rooted in her Dene culture—and her latest album is no exception.

As the Northern Journal so eloquently described:

Heart of the People, combines powerful lyrics that create stunning imagery, layered over carefully coordinated melodies for songs that are raw, emotional and absolutely empowering.

Her incorporation of traditional elements like the pounding beat of Dene drums, the breathy, guttural sounds of throat singing, lyrics belted out in local languages and dancing fiddles helps create one of the musician’s best albums thus far. “I really feel this CD is my best, my best songwriting,” Gilday said in an interview with The Journal. “As you mature as an artist… I’ve been trying to fulfill my potential and I feel like this is starting to fulfill my potential.”

Listening to the album is like sitting in a circle, hearing multiple voices share tales of life in the North.

We couldn't agree more.

Gilday describes the title track from the album as "an anthem to the heartbeat of the earth [and] our connection to the land". Co-written by Jason Burnstick, with Maori lyrics by Ora Barlow, stream "Heart of the People" below and immerse yourself in the swirling sonics of the northern lights greeting the sunny shores of Aotearoa.

Heart of the People was officially released on October 14th and is available at www.leelagilday.com. Gilday will launch the album in Toronto at a concert featuring Cris Derksen on October 28, 2014.

STREAM: Leela Gilday - "Heart of the People"

Watch Leela Gilday perform "Heart of the People" with her band and Dene drummers in Yellowknife, Northwest Territories, Canada, at the Northern Art Cultural Centre in September 2014.

DOWNLOAD: IsKwé - "Another Love Song"

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It's #RPMDownload Tuesday, and this week we're sharing an eloquently tenebrous, downtempo track from Winnipeg-born symbol of resplendence IsKwé.

"Smooth. Sultry. Salacious." The self-described Hip-hop and R&B vocalist proves to be just those things with her latest release. IsKwé's smooth voice and sultry lyrics drift over a deep, dark, and salacious dubstep beat like mists drifting off of rivers during hot summer nights.

Another Love Song begins as a whisper and gradually becomes a slow, rocking composition. Nothing but honey and smoke can describe this song's pace, flavor and feeling. The author can't help but think that Another Love Song ends too quickly; it's the kind of song that you want to go on for tens of minutes. Enjoy it while it lasts.

Download: IsKwé - "Another Love Song"

RPM YouTube Playlist - Indigenous Rock

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As always, to accompany our RPM Podcast we bring you a YouTube playlist of Indigenous Rock music videos.

This week were are very excited to bring you our first Indigenous rock music podcast, and as a sidekick to that, we have put together a playlist on our YouTube channel of Indigenous rock music videos from artists across Turtle Island.

To download or listen to the podcast, check out this link: RPM Podcast #009: “Indigenous Rock”

The Johnnys - I Like It A Lot Link Wray - Rumble (LIVE 1978) Stevie Salas - Tell Your Story Walkin Breach Of Trust - Complicated Joe Maxim Band - Weight Weaselhead - A Residential School Story pt.1

RPM Podcast #009: "Indigenous Rock"

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In episode nine, RPM turns up the volume on Indigenous rock music, from metal to punk.

Our host Ostwelve talks with Cree/Dene vocalist and guitarist Veronica Johnny from the rock and roll couple The Johnnys about it never being too late to live your dream, and just what can be accomplished when you focus on your career; Ojibwe Wayne Restoule - who rocks guitars, keyboards and vocals in progressive rock band Weaselheaddescribes how the stories from the band's family and community came through to create their concept album A Residential School Story, and vocalist and bass player Loren Anthony from the Navajo metal band Bloodline links the warrior in his bloodline to the music he makes today.

DOWNLOAD: RPM Podcast #009: "Indigenous Rock"

 

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The RPM podcast is produced & engineered by the amazing Paolo Pietropaolo.

Photo illustration created by the talented Joi Arcand.

Northern Girl Leela Gilday

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Leela Gilday’s people are Sahtú Dene, but she was raised in the South – at least, what Northerners consider the South: Yellowknife. Leela spoke with RPM about her music, her family, and not living in an igloo.

Leela: I’m from the Dene Nation up in Yellowknife, Northwest Territories. My people are actually from Great Bear Lake but I was raised in the South as we like to call it. I’m a Northern girl and I love making music. I feel super lucky to be able to do that.

RPM: How has being Dene inspired your music creation?

Leela: Being Dene is really just a way of life – something that’s really important to me. Just being raised in the North has influenced my music. As an artist, everything that you take in, everything that you are, influences your musical creation. I’m definitely rooted in the north and rooted in being Dene. You can also hear it sometimes in the rhythms that I use, or sometimes I base songs on traditional Dene songs – sometimes the way that my music feels is definitely reminiscent of traditional drum dance music. But I like to think of myself as being musically eclectic, it is in an important part.

RPM: When you were growing up what were your music influences?

Leela: Oh god, everything! When I was a little girl we lived in Edzo which is a small community outside of Yellowknife. It’s a Tlicho community, and I lived there with my Mom and my Dad. My Dad, who’s a white guy from southern Ontario, is a musician so he exposed me to a ton of different styles of music including big band, symphony music, and my mom really loved folk like Bob Dylan style American folk  as well as country music and some pop. Though pop of the time, which is in the 70s, means a different thing than nowadays. Then of course we would always go to the tea dances so I always had traditional music in my ears. The really broad range of styles and the fact that both of my parents liked to sing to me and sing with me, really gave me a wide palette of sound to draw from.

RPM: What was it like the first time that you really knew that you were going to make music?

Leela: I think I always just knew . Singing just felt second nature, like breathing to me. So the first time I performed I did my own solo thing. I sang since I was a little girl in choirs since I was 5 or 6. I was 8 when first performed solo on stage. My dad played piano for me and I performed at our local music festival. I loved it. And it was as natural as a baby swimming. I just thought “oh this is what people do”. They sing and they perform and that’s all there is to it.

RPM: What was it like when you first left the mighty North to pursue music and do shows ?

Leela: I realized that I wasn’t as big a fish as I thought. I was 10 when I first performed at a professional level out of the territory – it was in St. John’s, New Brunswick – and after that I had a few festivals up until I graduated high school across the country. But the most striking part of performing in the south, and then when I went to study, was when I finally realized “oh I’m not the best singer in the world” and that was a good dose of reality. At the same time I realized that everybody’s voice is valuable and has worth – that it was a gift that was given and that I had to pursue it.

RPM: What was it like when you went back to the North to perform, once you’d won awards and  done a lot of touring?

Leela: I felt pretty much exactly the same way about it as I did 15 years ago. I  just feel lucky to be able to do it and I’ve always felt that the music is not entirely about me as a person.  I feel like it’s a gift that I’ve received from the creator and it’s sort of my responsibility to share it, so I don’t have as much pressure on me as a person. If I’d thought this was all about me then that might be a lot of stress, but I don’t feel like it is. I just feel like I’m really lucky to do this thing. I’ve made a lot of sacrifices but it’s all been worth it.

RPM: What’s one incorrect pre-conceived notion that people have about people from the North?

Leela: Generally they think of us as fairly backwards and small town and that we still drive dog sleds to work and live in Igloos. A lot of people think that we’re a lot less worldly than we are which is totally untrue. The north is one of the most traditional places in the world I guess, because it was the last place to be colonized in this country, on this continent really, so people still hold a lot of their traditional ways and the language is a lot stronger. In terms of population, the Aboriginal population is about 50%, so that’s how I grew up – with thinking of that not being a minority but just being normal.  The Dene, in the 1970s through the Berger Inquiry, stopped a multi-national pipeline going through our territory. It was like the first time an Indigenous people stopped a development like that, a multinational industrial development. I’m really proud of us as a people and I think that we’re a lot more powerful and educated and cosmopolitan than others think.

RPM: If it makes you feel any better whenever I go to California or to the States they think I live in an Igloo too.

Leela: There you go!

RPM: If there was one thing you could share with the world of Indigenous music culture, what would it be.

Leela: Support live music and look out for your First Nations artist – we’re out there and working our butts off. That’s what every musician wants – your love and support, not just by listening on the radio, but coming out to the shows and buying the records, stuff like that, we really appreciate that kind of support.

 

Find Leela on facebook and at leelagilday.com.

RPM YouTube Playlist: North Coast

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To accompany our North Coast Podcast, we've compiled some YouTube videos of awesome Indigenous artist from the North Coast on our RPM Youtube Channel. The playlist includes:

Leela Gilday - One Drum Digawolf - The Trapper Samian featuring Shauit - Les Nomades Kronos Quartet and Tanya Tagag - Nunavut The Johnnys

Got a video you would like to see on our Youtube Channel? Drop us a line and let us know: info@rpm.fm

RPM Podcast #003: "North Coast"

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In our third episode, we look up, way up, to the North Coast of Turtle Island.

Ostwelve talks with Dene/Inuvialuit country artist Leanne GooseDene singer-songwriter Leela GildayInuk hip-hop artist M.O. and Tlicho writer Richard Van Camp.

We find out what makes the north coast - and its influence on these artists - unique. We also learn how to pass the hours when the sun never rises and more behind the saying "when an elder dies a library closes".

You'll also hear Inuit throatsinging by Karen Panigoniak and Maria Illungiayok from Arviat, Nunavut.

This is just a slice - a super tasty, action-packed slice - of the diverse music and culture of the North Coast. Also check out RPM's North Coast YouTube Playlist for more.

Download: RPM Podcast #003 - "North Coast" 

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The RPM podcast is produced & engineered by the amazing Paolo Pietropaolo.

Photo Illustration: Thanks to the talented Joi Arcand for the depiction of the dancing northern lights.

IsKwé Lets It Fall Into Place

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Hip-hop and R&B Singer-songwriter IsKwé was born and raised in Winnipeg by her Cree/Dene mother and Irish father. Her music has taken her across Turtle Island and back. She spoke with RPM about her hometown, her work with youth, and how The Bodyguard changed her life.

RPM: So you’re from Winnipeg, but you’ve been locating to different places – L.A., Toronto, New York. What’s it like coming out of Winnipeg and going into the big metropolis centres like that?

IsKwé: For me it was a natural transition. I left Winnipeg 9 years ago now and I went from Winnipeg to Toronto, then to New York, then to L.A. for a few years, and I’ve now been living in New York for about a year. Something in me told me it was time to go and every time it did, things just fell into place. I feel lucky and I feel blessed that that’s how my path has been going. There have been bumps in the road obviously, just like anybody else, but for the most part it’s been pretty smooth sailing.

RPM: What’s it been like to go back to Winnipeg and see the growth patterns there?

IsKwé: It feels empowering when you sit back and reflect on where you’re coming from. I’m proud to be from Winnipeg, I love that city, I think the arts and culture there is incredible. It really develops people and nurtures the artist in people and then sends those people out in the world. Good, grounded people with an open minded. Those sorts of traits are prevalent in people that come from Winnipeg.

RPM: How has Indigenous culture inspired your music creation?

IsKwé: It’s kind of a tricky question for me. I don’t know how much it inspires me in terms of specifics - it’s more just that I feel a sense of pride and security in my roots and my culture. And I feel like that is what comes through in my music. That I feel confident in who I am, and therefore I feel confident in what I put out.

RPM: What drives you to be work in communities with youth?

IsKwé: Giving back to the community and working with the young people within our communities is actually one of my biggest motivations for going after a public career, aside from my love of music. When I first moved to Toronto from Winnipeg, I ran and facilitated the Youth Program at the Native Canadian Centre of Toronto for a couple years and it was one of my favourtie jobs that I ever had. I did  a music program with them where one of the kids in that group wound up taking some of the songs that he had done and getting them nominated for a CAMA that year. I was so proud of him. To see his sense of accomplishment and his sense of pride in something that he had done just made me realize even more how important those sorts of opportunities for young people are. Everybody has dreams and people who are living their dreams - and I’m surely living mine – have the responsibility to go and say to our younger generation:  listen, you can do this too. In fact I encourage you to do it because you have the talent, you have the drive, and you have the ambition. You’re definitely good enough so go for it.

RPM: Mentorship and empowerment from other artists is really important.

IsKwé: Absolutely. I still talk to my first mentor and I still look up to everything that he does and everything he tells me. I’m not going to have an impact on every single youth that I meet, but maybe it will be one, maybe it will be two. All I can do is go and try and do my best and be as positive a role model as I can be, and offer that same encouragement and advice that I was given, that I was honored to be able to receive through somebody else.

RPM: What are your thoughts about this whole labeling of Aboriginal music?

IsKwé: For myself as an individual, I’m an Aboriginal person and I’m an artist. I do music. I don’t consider myself to be an Aboriginal artist; I’m an artist who’s Aboriginal.

RPM: You were part of AMP Camp last year right?

IsKwé: I got to participate in the first year they did the program, and then last year, which was the fifth year. It’s an excellent, excellent program. It was “here’s the business, this is what you guys need to succeed” but in a way that I felt was translatable. Sometimes the business is extremely daunting - I look at it and I’m just like, argh, I don’t want to have to participate in this. I just want to write music and perform music. AMP Camp really offered an opportunity for me to be educated in that section of what we do as artists and musicians and not feel overwhelmed anymore. It broke it down in such a way that made sense. It made me feel empowered in setting myself up even further. I came back and said “ok, this is what I already know, this is what I learned here and this how can I apply that and make my career work for me even better”.

RPM: If you could work with any artist past or present, who would that be?

IsKwé: I would probably chop off my arm to work with Prince.

RPM: Wow.

IsKwé: He’s one of the most phenomenal folks ever. He’s so multi-talented, just amazing. He blows my mind. Love him. Love love love. He also has a business sense beyond anything that I could ever fathom.

RPM: What kind of advice would you have for young artists coming up?

IsKwé: First things first you have to believe in what you’re doing and you have to pay attention to your path. If you’re coming across road blocks instead of giving up, you have to just readjust your life, readjust around road blocks. Be open to the challenges I guess. This kind of career takes a really long time to start making any kind of moves that are substantial. That’s not a negative thing. You’re putting in work and developing yourself. Believe in what you do, love what you do and be willing and open.

RPM: There’s no set model for this life.

IsKwé: No. Absolutely not.

RPM: When you were growing g up what were you major musical influences?

IsKwé: I have about a billion. There was this one very monumental time of my life when I wanted to go after music and it was when The Bodyguard came out. The sound track with Whitney Houston I Will Always Love You and I Have Nothing and all these epic ballads where it’s just big voice and big music and you just wanna pound your chest and sing to the world type stuff - that got me. I was sold. But I grew up in a really musical house so I had access and opportunity to listen and find all kinds of music and inspiration from many different genres.

RPM: Is there anything else you would like to share with the world of Indigenous Music Culture?

IsKwé: I’m excited about this new album that I have coming out in September and I’m excited for this 10 city tour in Canada opening for M1 from Dead Prez. I’m always online, I’m always on Twitter, I’m always on Facebook, I try my best to interact with everyone, so, you know, everybody - come hang online, come chill out with me world wide web! We’ll get to know each other, we’ll bond.

RPM: The new Internet - Powwow styles.

IsKwé: Exactly.

Keep up with IsKwé on Twitter @isKwe and Facebook.

 

Folk on the Rocks Festival 2011: Indigenous Artists and Full Festival Lineup

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Folk on the Rocks, the north's largest annual summer music festival, will be held in Yellowknife this weekend from July 14-17, 2011.

The festival draws musicians and fans from all over the NWT, Nunavut and across the globe for "the North’s biggest party under the midnight sun".

Among the many talented musicians who will be performing at this year's festival are a strong selection of Indigenous musicians. This year's lineup includes performances by:

Elisapie Isaac (Inuk singer-songwriter)

Kulavak (Inuit throat singers)

Boyd Benjamin and Kevin Barr (Gwich’in fiddlers)

Michael Cazon (Ft. Simpson-based Dene drummer)

The Yellowknives Dene Drummers

Oka  (Indigenous Australian group from Torres Strait)

Tina Roy (Métis singer-songwriter)

Shauna Seeteenak  (up-and-coming female Inuk hip-hop artist from Qamini'tuaq/Baker Lake, Nunavut)

Folk on the Rocks offers four jam-packed days of music and entertainment on six stages, including a children’s area, cultural area, international and traditional cuisine, and Northern creative works featured in the Art on the Rocks area.

Check out the Folk on the Rocks 2011 Full Festival Lineup for more information.

And here's a sample of the amazing Yellowknives Dene Drummers:

RPM Podcast #002: "Winnipeg"

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In our second episode of the RPM podcast we travel deep into the heart of Indian Country, to the crossroads of Canada—the city of Winnipeg.

In this episode, we connect with some of Winnipeg's rising stars, including  Métis singer-songwriter Don Amero, Cree/Dene R&B singer IsKwé, Uptown Magazine's 2011 best new solo artistAnishinaabe hip-hop artist Lorenzo, the hyper-connected and highly influential Aboriginal music promoter and events producer Alan Greyeyes, and APTN anchor Dana Foster, who recently relocated to Winnipeg from the west coast.

We find out what makes Winnipeg so...well...wonderful, and discover how the local Indigenous music scene is exploding with talent while being grounded in community and industry support.

Download: RPM Podcast #002 - "Winnipeg"

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We also can't forget to shout out the talented hip-hop artist Young Kidd, whose anthemic track about his hometown, "Wonderful Winnipeg", opens and closes the episode.

We couldn't showcase the diversity of 'Peg City's Indigenous music scene in a single podcast, but watch coming RPM YouTube Playlist - "Winnipeg"  for video selections and, check out the  feature editorial from Julie Lafreniere on the rise of Winnipeg's Indigenous hip-hop scene.

The RPM podcast is produced & engineered by the amazing Paolo Pietropaolo.

What do you think of Indigenous music in Winnipeg? Drop us a comment below. We'd love to hear your thoughts.

 

Photo Illustration: Thanks to the talented Joi Arcand for her great rendition of the Winnipeg skyline and the Esplanade Riel bridge. 

DOWNLOAD: Leela Gilday - "Piece of My Life"

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Leela Gilday’s powerful and soulful voice is a force to contend with. It’s downright breathtaking. As a songwriter she draws from her northern roots, reflecting the essence of Dene life from an urban perspective. She’ll move you to dance in one song and break your heart strings in the next, managing to balance freedom and joy with sorrow and injustice in her lyrics. Piece of My Life, comes from her latest release, Juno-nominated Calling All Warriors. DOWNLOAD: Leela Gilday - "Piece of My Life"

STREAM: IsKwé - "Wandering"

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Cree/Dene vocalist IsKwé is a versatile, "sultry and salacious" singer-songwriter heavily influenced by contemporary R&B. Her mix of booming bass lines, heavy beats and spine tingling vocals come together in this Timbaland-esque gem, which she posted to her SoundCloud mere moments ago. Combining her classical piano and vocal training, lifelong love affair with music and natural urban flare, IsKwé's new tune is up for Single of the Year at the Aboriginal Peoples Choice Music Awards 2011. Voting begins July 14th. Have a listen and see what all the sultry boom-bap is about. And look out for our chat with her in the next edition of the RPM Podcast.

STREAM: IsKwé - "Wandering"