Listen to IsKwe's New Single, "Will I See"

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Cree/Dene singer IsKwé returns with a brooding, bold new single, "Will I See", written in response to the death of Tina Fontaine and dedicated to all Missing and Murdered Indigenous Women.

Indigenous artists are responding to the current crisis of violence against Indigenous women and girls by giving voice to their frustration, sadness and outrage through music and song.

IsKwé's new single, "Will I See", is both a haunting tribute to the many lives lost and a stark reminder of the urgent need to transform our society, restore the broken unity of our families and nations, and bring an end to gender-based violence.

IsKwé was compelled to write "Will I See" following the recent murder of 15-year-old Tina Fontaine. As she told the National Music Centre in a recent interview:

“It was my tipping point…It felt personal, even though I don’t know her personally. And then I saw my community stand up against what was happening…I felt the same frustration, anger, and sadness. Then all of those things boiled over into this resurgence of community. Everyone came together, and was like ‘fuck this.’

Other prominent Indigenous musicians, like Tanya Tagaq, are also speaking out on these issues and addressing them in live performances and recordings. "It’s important not to be afraid to be political”, IsKwé says.

Music remains a potent force for reclaiming our presence, and with "Will I See", she joins a rising chorus of voices intent on honouring the lives of those who have been taken from us and, importantly, singing truth to power.

STREAM: IsKwé - "Will I See"

 

IsKwé's new album, The Fight Within, is scheduled for release in February 2015.

DOWNLOAD: Kait Angus - "The Masons Heart"

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Be prepared to be hypnotized. Download the latest from Kait Angus, "The Masons Heart".

We don't know where this song came from, how it got here, or what otherworldly fire it took to make. But, for seven minutes and twenty eight blissful seconds, we were utterly transfixed.

Cree/Mohawk singer Kait Angus has a gift for deceptive simplicity and by the time the hypnotic refrain "in our hearts / we carry the flame" rises into view, this heart crushing song will have long echoed and ached its way deep into you, with the spirit of some unknown elsewhere. Magic.

Download: Kait Angus - "The Masons Heart"      

 

Download more of her music at kaitangus.com

STREAM: Blue King Brown - "All Nations"

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Indigenous Australian urban roots crew Blue King Brown is back in a big way with their massive tune, "All Nations".

Lead vocalist Natalli Rize and her reggae and dubwise BKB comrades are set to release their powerful third album, Born Free, on November 7th and their latest single and video are already catching fire.

"All Nations" is an uplifting anthemic call out to all people worldwide to reclaim our freedom and to make what BKB calls "music for this movement, for the battle and the fight for People over profits, Justice over Greed, Freedom over Slavery".

"'All Nations' at its core is about people power", says Rize, "Calling out to All People from All Nations to recognize their power and reclaim it, use it, assert it in these times of shifting consciousness, a time of discontent with the current world system and paradigm". To this end, the band dedicated and premiered the song in support of the self-determination movement to Free West Papua.

BKB have built a huge audience for their socially conscious and politically engaged music in support of Indigenous rights and global struggles for liberation. And they've stepped up every aspect of their production and songwriting this time around: Born Free was recorded at the legendary Tuff Gong studios in Kingston, Jamaica, Sing Sing Studios in Melbourne, and Blue King Brown's own studio in Melbourne, Australia.

Capturing the sound of the struggle and the essence of what art and activism can do to inspire change, "All Nations" will have you waving the flag of freedom and singing along with a raised fist.

Stream: Blue King Brown - "All Nations" 

And check the video for this epic tune below:

DOWNLOAD: 'We're All Infected' - A Hellish Halloween Mix from D Ojibwe 1

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It's Halloween. Do it responsibly. Make sure there's good music.

You've got your costume picked out. You've got some candy to get. You've got a party to attend. And you've taken the admirable step of not being a racist this year, stepping away from the "Indian" costume, and not appropriating Indigenous cultures for your outfit. Good work. Now you just need a soundtrack.

Well, don't worry. D Ojibwe 1 has got you covered. Now go get down with the undead.

Stream and Download D Ojibwe 1's "We're All Infected" Mix (Halloween Jam Vol 2)

DOWNLOAD: A Tribe Called Red's Remix of Stars' "From the Night"

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ATCR offers a late night, minimalist rework of "From the Night", the lead single off the latest from Montreal band Stars

Given that everyone we know has worn out even their digital copies of Nation to Nation by now, it's good to see the boys from A Tribe Called Red continuing to put out new music by stepping up their remix game.

We're enjoying the more stripped down, minimalist approach to rocking headphones, homes and dancefloors that ATCR has been taking. They've proven they can throw down in huge venues for huge crowds, but there's a subtlety here that is immediately appealing and addictive.

Given that the original version of "From the Night" is a decidedly retro-facing, neon slice of disco-redux, ATCR's breakbeat-infused hi-hat/clap/hook arrangement comes off as fresh and fitting for the song's plaintive melody and chorus.

Perfect for an evening drive through rainy autumn streets, A Tribe Called Red takes a great tune and works their magic on it, turning "From the Night" into mandatory repeat listening.

UPDATE: The ATCR remix is now available to stream and download through NoiseTrade as part of Stars - "No One is Lost" Tour EP. Get it here.

Listen to Stars, "From the Night" (A Tribe Called Red Remix)

Watch the Haunting Video for Thelma Plum's "Young in Love"

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Fresh off the summer success of her Monsters EP, Indigenous Australian singer Thelma Plum drops a haunting video for "Young in Love".

Thelma Plum is going to be big. There's no question about it. Her voice, presence and songwriting are riveting. We first discovered her music through a hypnotizing acoustic folk performance she did in-studio at a local Australian radio station. Since then, she won the triple j Unearthed competition, joined forces with hip-hop producer M-Phazes, and dropped the mesmerizing Monsters EP earlier this summer. Her transition to rich soundscapes and brooding, dark pop has gained her serious attention and massive radio play. You'll be seeing and hearing a lot more of this rising talent. Guaranteed. Catch her on the road this fall on a national tour (full tour dates below).

Stream Thelma Plum's "Young in Love"

Watch: Thelma Plum - "Young in Love"

 

Thelma Plum Fall 2014 Tour Dates

THU 30 OCT | THE SMALL BALLROOM, NEWCASTLE NSW Tickets available from www.oztix.com.au | 1300 762 545

FRI 31 OCT | OXFORD ART FACTORY, SYDNEY NSW Tickets available from www.moshtix.com.au | 1300 GET TIX

SAT 01 NOV | TRANSIT BAR, CANBERRA ACT Tickets available from www.moshtix.com.au | 1300 GET TIX

SUN 02 NOV | ANITA’S THEATRE, THIRROUL NSW Tickets available from www.oztix.com.au | 1300 762 545

FRI 07 NOV | KAROVA LOUNGE, BALLARAT VIC Tickets available from www.oztix.com.au | 1300 762 545

SAT 08 NOV | CORNER HOTEL, MELBOURNE VIC Tickets available from www.cornerhotel.com | 03 9427 9198

SUN 09 NOV | BEAVS BAR, GEELONG VIC Tickets available from www.oztix.com.au | 1300 762 545

FRI 14 NOV | PLAYERS BAR, MANDURAH WA ^ Tickets available from www.oztix.com.au | 1300 762 545

SAT 15 NOV | AMPLIFIER, PERTH WA ^ Tickets available from www.oztix.com.au | 1300 762 545

SUN 16 NOV | NEWPORT HOTEL, FREMANTLE WA ^ Tickets available from www.oztix.com.au | 1300 762 545

THU 20 NOV | JIVE, ADELAIDE SA Tickets available from www.moshtix.com.au | 1300 GET TIX

SAT 22 NOV | THE DARWIN RAILWAY CLUB, DARWIN NT ** Tickets available from www.oztix.com.au | 1300 762 545

FRI 28 NOV | THE SOUNDLOUNGE, GOLD COAST QLD Tickets available from www.soundlounge.com.au

SAT 29 NOV | THE ZOO, BRISBANE QLD Tickets available from www.oztix.com.au | 1300 762 545

DOWNLOAD: Impossible Nothing's "Mechadoom"

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Skookum Sound System's Impossible Nothing continues his prolific output with this maximalist rework of MF Doom classics.

Impossible Nothing has a penchant for pulverizing samples into distorted recursive loops and new kinetic phrases. Here, he takes the mask-clad raps of the Vaudeville Villain, Viktor Vaughn—aka the inimitable hip-hop icon MF Doom—and wraps his vocals inside a kaleidoscopic blend of stuttering beats, science show snippets and souled out, glitched up samples.

DOOM is the gift that keeps on giving. His effervescent flow seems endlessly appropriate to appropriation—and Impossible Nothing's recombinant maximalism works wonders on the high priest of abstract rap science.

"Golly, he's just a pest and your worst best friend Who mend and rip space time fabric like polyester blend" 

Stream: Impossible Nothing - "Mechadoom" 

(and get the full album as free download at: impossiblenothing.bandcamp.com)

 

STREAM: Native North America, Revolutionary Recordings by Indigenous Artists from 1966-1985

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Light in the Attic Records is preparing to release the "most ambitious and historically significant project" in the label's history: Native North America—a 34-track compilation of music from the Indigenous peoples of Turtle Island, recorded between 1966 and 1985.

Native North America is a project that has been more than a decade in the making.

DJ and record collector Kevin "Sipreano" Howes spent 12 years researching, compiling music, travelling, and interviewing Indigenous artists for inclusion on the album, and the results are righteous, revolutionary and historically unprecedented.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression...You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

Indigenous music, like Indigenous Peoples more generally, occupies both a historical and present blind spot in settler society's consciousness.

But far from being mythic, imaginary figures of some forgotten colonial past, Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985 documents the deep currents of creativity that have been continuously at work throughout Turtle Island and the wide-ranging influences and styles of Indigenous musicians.

Notably, many of these songs haven't been heard outside of local communities since they were first recorded. Howes explains:

“All 34 songs blow my mind in one way or another. They were often made for folks in their regional communities, but like musicians the world over, most were hoping that their songs would be able to reach as many people as possible. [But] much of this music wasn’t heard outside of the greater Aboriginal music community at the time of release…[although] this music was very much embraced on the reserves and in regional communities across the country, as well as gaining some traction in coffeehouses, dance halls, and the folk festival circuit.”

The album reflects a diverse musical and cultural geography: gathering music from Indigenous Peoples across Canada, north to Alaska, and covering everything from folk and psychedelia, to country soul and garage rock.

"When I first heard the original recordings featured on NNA V1"Howes explained to The Stranger, "I had to learn more about these records, how they were made and by who. These artists should take their righteous place in our collective cultural history."

Indigenous musicians, who are rarely recognized (let alone celebrated) for their artistry and collective contribution to the evolution of recorded music, deserve to take up this rightful place—and Native North America captures the continued currents of Indigenous "consciousness, storytelling, poetry, history, and ceremony" that have been encoded in song.

This music is as much about our collective past as it is our collective present: and, to paraphrase Vine Deloria, we need to hear where we have been before we see where we should go, we need to know how to get there, and we need to have a good soundtrack for our journey.

 

Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985 — FULL TRACK LIST:

1. Willie Dunn – "I Pity the Country" 2. John Angaiak – "I'll Rock You to the Rhythm of the Ocean" 3. Sugluk – "Fall Away" 4. Sikumiut – "Sikumiut" 5. Willie Thrasher – "Spirit Child" 6. Willy Mitchell – "Call of the Moose" 7. Lloyd Cheechoo – "James Bay" 8. Alexis Utatnaq – "Maqaivvigivalauqtavut" 9. Brian Davey – "Dreams of Ways" 10. Morley Loon – "N'Doheeno" 11. Peter Frank – "Little Feather" 12. Ernest Monias – "Tormented Soul" 13. Eric Landry – "Out of the Blue" 14. David Campbell – "Sky-Man and the Moon" 15. Willie Dunn – "Son of the Sun" 16. Shingoose (poetry by Duke Redbird) – "Silver River" 17. Willy Mitchell and Desert River Band – "Kill'n Your Mind" 18. Philippe McKenzie – "Mistashipu" 19. Willie Thrasher – "Old Man Carver" 20. Lloyd Cheechoo – "Winds of Change" 21. The Chieftones (Canada’s All Indian Band) – "I Shouldn't Have Did What I Done" 22. Sugluk – "I Didn't Know" 23. Lawrence Martin – "I Got My Music" 24. Gordon Dick – "Siwash Rock" 25. Willy Mitchell and Desert River Band – "Birchbark Letter" 26. William Tagoona – "Anaanaga" 27. Leland Bell – "Messenger" 28. Saddle Lake Drifting Cowboys – "Modern Rock" 29. Willie Thrasher – "We Got to Take You Higher" 30. Sikumiut – "Utirumavunga" 31. Sugluk – "Ajuinnarasuarsunga" 32. John Angaiak – "Hey, Hey, Hey, Brother" 33. Groupe Folklorique Montagnais – "Tshekuan Mak Tshetutamak" 34. Willie Dunn (featuring Jerry Saddleback) – "Peruvian Dream (Part 2)"

STREAM: NATIVE NORTH AMERICA - VOL. 1

Native North America is currently available for pre-order and will be released November 25, 2014.

PREMIERE: Stream Silver Jackson's New Album "Starry Skies Opened Eyes"

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Silver Jackson's remarkable new album, Starry Skies Opened Eyes, bursts with life and an artful spirit of experimentation. Welcome to the future-now sounds of Indigenous expansion.

Silver Jackson is the musical alias of multi-talented Tlingit/Aleut artist Nicholas Galanin, whose recent adoption into the rising art and music collective known as the Black Constellation represents both a bold progression of the "expanding now" he is developing alongside his interstellar kin—Shabazz Palaces, Erik Blood, THEESatisfaction, OC Notes, Nep Sidhu, Khalil Joseph and Maikoyo Alley-Barnes—and an emergent model of creative collaboration and community.

Starry Skies Opened Eyes, Jackson's second album, is an effortless evolution of his style and aesthetic, where electronic-inflected, acoustic folk experiments abound with clever melodic turns and spiralling harmonies, fading and swimming through percussive clicks, crackles, and looping rhythms.

Recorded over a three year period that saw Jackson narrowly escape death in a hunting accident, the album traces his path to newfound perspectives "on life through love and gratitude...friends and family".

Starry Skies Opened Eyes is a record of resonance, transformation and re-emergence—of Jackson "losing [himself] in the blackness between light", drifting through dark horizons, reflecting the sky. This introspective illumination unfolds in a dream-like flow of cosmia, echoing out over the album's 11 tracks.

From the ambient swirl of the album's title track, "Starry Skies Opened Eyes", to the implicit critique of colonialism expressed in "Lanáalx" (the Tlingit word for "wealthy"), Starry Skies Opened Eyes is suffused with a restless spirit of interconnected being. Jackson traverses the shifting sonics of this polyvocal landscape with melodic dialogue textured by a host of collaborators, including Samantha Crain, OCnotes, Benjamin Verdoes, Jesse Hughey, Erik Blood, and Catherine Harris-White.

As the album's loping, final track "From Another World" arrives, with the hopeful prose of guest vocalist THEESatisfaction's "Cat" (Harris-White), it becomes clear that this is "rugged unexplored terrain / yet the rain still washes it anew".

Starry Skies Opened Eyes is a brilliant addition to the expanding universe of the Black Constellation and a bright spark in dark times. It is the sound of a future-now, where Indigenous presence is an act of creation, continually being renewed.

Stream Silver Jackson's "Starry Skies Opened Eyes"

 

Starry Skies Opened Eyes is available for pre-order now and will be officially released on November 14, 2014.

Stream Samian's new album Enfant de la terre

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Algonquin hip-hop artist Samian returns with his third album of bold, creative hip-hop, Enfant de la terre. 

Samian has long held it down for his people and for hip-hop music, where he uses creative flows and socially relevant lyrics to paint vivid portraits of the world around him through Indigenous eyes.

After exhausting himself with a relentless schedule of touring and performing in support of his previous album Face à La Musique, Samian took an extended hiatus to pursue other projects. But he missed the music.

Enfant de la terre ("Child of the Earth") shows his return to form. Lyrically, Samian is at the top of his game, and the album benefits from its more personal, spiritual and reflective moments, that provide an introspective counter-balance to the warrior stance of his battle-ready anthems.

The album is inspired by Samian's love of the land and the Algonquin culture he represents and, to quote a recent review by Voir magazineEnfant de la terre is a powerful "echo of the values ​​it defends".

Widely heralded as Quebec's first Algonquin rapper, Samian raps in a mix of his Indigenous language and French, and he has built a loyal francophone following in Quebec. But he acknowledges that the rising Indigenous music scene is still largely unrecognized: "We are few in Quebec—only 90,000 of 8 million people. There are plenty of Aboriginal artists, but few are known to the public. We need to walk together".

Enfant de la terre is a step in the right direction. The album is available now.

STREAM: Samian - "Enfant de la terre"

DOWNLOAD: Lil' Vicious - 'Glock' (A Tribe Called Red Remix)

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Once again, A Tribe Called Red show you how it's done. Check their killer remix of the Lil' Vicious track "Glock".

Who knew that ATCR could flip an unassuming joint from "former child reggae rapper" (and Doug E. Fresh protégé) Lil' Vicious' 1994 debut album Destination Brooklyn, into a 2014 dancefloor-destroying exercise in booty-shakin' bass music?

The track appeared yesterday as part in conjunction with "Bouncin’ Bush Stew 4 Mixtape"—a new collab between ATCR, Blondtron and Prince Zimboo:

Bouncin’ Bush Stews are inedible bowls of sound from from America’s Top Iron Deficient Chef, Samantha Blondtron and Africa’s most famous lover, Prince Zimboo. They are a celebration of pan-global butt music, friendship and silliness, brought together by the brilliant art of Vincent Parker. This fourth installment features Canada’s most huggable deejays (as voted by Raver Weekly, a Canadian EDM magazine that does not exist.) A Tribe Called Red!

Quoth the crew:

A Tribe Called Red!

Where maple syrup drips they are bred now bob your head or to lions you shall be fed. Grab a bowl of stew with your clique practice your twerk technique Just relax your bumcheek HEH!

Blessings to you and the crew! from Blondtron, A Tribe Called Red and Prince Zimboo!

Enjoy.

DOWNLOAD: Lil Vicious - "Glock" (ATCR Remix)

And for kicks, here's the "Bouncin' Bush Stew 4" Mixtape for your rump-shaking pleasure:

STREAM: Leela Gilday - "Heart of the People"

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Dene singer-songwriter Leela Gilday returns with her fourth studio album, Heart of the People, that celebrates her homeland, her nation, and her love of the land.

Leela Gilday's music has always been a passionate mix of soaring vocals, beautiful melodies, and the effortless interweaving of sounds and stories rooted in her Dene culture—and her latest album is no exception.

As the Northern Journal so eloquently described:

Heart of the People, combines powerful lyrics that create stunning imagery, layered over carefully coordinated melodies for songs that are raw, emotional and absolutely empowering.

Her incorporation of traditional elements like the pounding beat of Dene drums, the breathy, guttural sounds of throat singing, lyrics belted out in local languages and dancing fiddles helps create one of the musician’s best albums thus far. “I really feel this CD is my best, my best songwriting,” Gilday said in an interview with The Journal. “As you mature as an artist… I’ve been trying to fulfill my potential and I feel like this is starting to fulfill my potential.”

Listening to the album is like sitting in a circle, hearing multiple voices share tales of life in the North.

We couldn't agree more.

Gilday describes the title track from the album as "an anthem to the heartbeat of the earth [and] our connection to the land". Co-written by Jason Burnstick, with Maori lyrics by Ora Barlow, stream "Heart of the People" below and immerse yourself in the swirling sonics of the northern lights greeting the sunny shores of Aotearoa.

Heart of the People was officially released on October 14th and is available at www.leelagilday.com. Gilday will launch the album in Toronto at a concert featuring Cris Derksen on October 28, 2014.

STREAM: Leela Gilday - "Heart of the People"

Watch Leela Gilday perform "Heart of the People" with her band and Dene drummers in Yellowknife, Northwest Territories, Canada, at the Northern Art Cultural Centre in September 2014.