The 15 Best Indigenous Music Videos of 2014

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Indigenous artists continued their takeover of popular culture in 2014. Here are the best Indigenous music videos of the year.

First things first, if you missed our epic selections of the Best Indigenous Music of 2014, you should go read and listen to what we picked. Also check out the Most Slept-On Indigenous Album of the year.

And as though our top albums, EPs, singles and our Best of 2014 Remixtape weren't enough to satiate your hunger for Native artistry, we've also compiled our favourite Indigenous music videos of 2014.

There were many amazing, cinema-sonic moments put on tape this year, but these were the videos that made the deepest, most engaging, and even funniest, impressions on us.

15. Jayli Wolf - "I Don't Remember"

Part of the fifth season of APTN's First Tracks, this is a sibylline dreamscape for a haunting and deceptively simple song by Jayli Wolf  (Métis). Directed by Michelle Latimer, we love getting lost in the video's black and white layering of starry, underwater, earthy and mesmerizing images.

14. Scatter Their Own- "Taste the Time"

"We are only as clean as our water" says Oglala Lakota duo Scatter Their Own. Want to know why Indigenous people are rising up against pipelines through our territories? This is why. An ominous and compelling...er...taste of things to come. That is, unless we change course.

13. Princess Nokia - "Nokia"

Cyber-supernatural 90s vibes abound in this neon and glittery ode to anime, BFFs, Nickelodeon, robotic dogs, and Nokia ringtones, among assorted other shimmering oddities. Flashbackward to bedazzled future beats in this trippy slice of this Taino Princess' world. You'll be hypnotized just like we were.

12. Mic Jordan - "Modern Day Warrior (ft. Real Truth)"

Youthful, exuberant, dedicated to the struggle and dropping hip-hop gems, up-and-comer Mic Jordan holds it down rapping directly about what it means to thrive and survive as a modern day warrior for his people, the Turtle Mountain Chippewa. Now that's what's up. This clip comes from Jordan's slept on album, Sometime After 83, which he dropped earlier this year (and which you should go download for free right now). The struggle lives and breathes in the artistry of talented Native MCs like Mic Jordan. "And damn right / I was built to fight". Tell it!

11. Kinnie Starr ft. Ja$E El Niño - "Save Our Waters"

Mohawk artist Kinnie Starr's not one to be shy in speaking her mind and this ode to protecting coastal waters from intrusive pipeline development finds a perfect counterpart in this collab with Haidawood—a stop motion animation video that works perfectly for the track that CBC called "part indictment, part wake-up call". We are in need of both at this point, and this is a creative and playful way to get the message out. Now let it compel action.

10. Drezus - "Warpath"

Although we're not exactly sold on Mic.com's framing of Indigenous hip-hop as "the most authentic rap we have today" (what is authentic? who is we?), we get what they were trying to say. No one else is bringing together raw talent, creativity and firepower like Native artists. Plains Cree/Saulteaux artist Drezus doesn't mix words or mess around and on this Stuey Kubrick-directed clip, he reps for the people—painted up, fire burning, singers around the drum, wild horses running slow mo, and surrounded by his fam and relations. That's power. Watch it all the way to the end for a special appearance by Beau Dick, master carver and hereditary chief of the Namgis First Nation, making that west coast warrior connect.

9. Angel Haze - "A Tribe Called Red"

Two of our favourite artists joined forces this year and the results exceeded our expectations. Although a lyric video for this tune was released a while back, this official video for Cherokee singer/MC Angel Haze's collab with A Tribe Called Red brings that ultra-crisp, black and white, leather-clad, dialed aesthetic we were hoping for. You want some more? Good luck competing with Angel Haze's "deity swag and omnipotent style".

8. Radical Son - "Human Behaviour"

When minimalism works, it really works. Keeping with that vibe, Kamilaroi artist Radical Son's video for his soulful tune "Human Behaviour" works with opaque spaces, blending deep, dark blacks and fading whites and greys, and using its stripped down visual spectrum to pull the gravity of the song's deep reggae groove out from the depths. Dope.

7. Sacramento Knoxx ft. DJ Dez - "The Trees Will Grow Again"

Community organizer, activist, MC, hip-hop producer and micro-documentary maker, Anishinaabe/Xicano artist Sacramento Knoxx is a man of many talents. This joint brings it all together with a dope visual delivery of rugged anti-imperialist politics, BDS empowerment, and raw hip-hop talent. That, plus the proceeds of the track go to benefiting youth and community. Knoxx is elevating the game and bringing power back to the people. The RaizUp is right. Represent.

6. Cree Nation Artists (Chisasibi Community) - "I Believe"

Ok, this one is pretty amazing. Hip-hop artist/producer and educator David Hodges has been working with the Cree Nation Government on a community-based music project called "N'we Jinan". Travelling throughout Cree communities in Quebec, Hodges set up a mobile studio, created music with youth and, in the process, produced a 19-song album that just went to Number 1 on iTunes in Canada. "I Believe" is the first single from the album—and it's an inspiring showcase of rising youth talent and empowerment. Raise it up for the next generation celebrating "culture, language and love". These are the voices we'll be listening for.

5. Greg Grey Cloud Storms the U.S. Senate with Honor Song After Keystone XL Vote

When the U.S. Senate votes to reject the Keystone XL pipeline by one vote, ONE VOTE, what else are you going to do but sing an honour song until they kick you out of there? Well, that's exactly what Crow Creek Sioux member Greg Grey Cloud did. You want to restore order Elizabeth Warren? Join Greg in "honouring the leaders who stood up for the people". Respect!

4. A Tribe Called Red - "Sisters (ft. Northern Voice)"

It's hard not to get behind a video that features a song we love, made by a crew the entire Native community loves, featuring Natives we recognize, and basically depicting exactly how it feels to get down to Mohawk/Cayuga/Anishinaabe crew A Tribe Called Red's music. Of course it's a party. Of course we're dancing in our bedrooms, in the convenience store, at the club, and in the car. Oh and course we have fireworks, colour smoke bomb things, and a Mohawk Warrior flag flying as we roll down a winter highway with the sunroof rolled back, the windows rolled down, and ATCR on blast in the system. You know we're all headed to the same Electric Powwow night anyways. See you on the dancefloor, relations.

3. Supaman - "Prayer Loop Song" 

Just another day in the life of your average beatboxing, freestyling, regalia wearing, powwow and b-boy fancy dancing, flute playing, drum beating, record scratching, loop-making, Crow Nation hip-hop SUPAMAN. They don't call him that for nothing, you know. Mad mad skills. Watch and learn.

2. Rebel Music - "Native America"

When we found out Rebel Music were debuting their Season 2 premiere, "Native America", as a Facebook-only video stream, we were all "Really guys? Facebook only?". But then we remembered how much NDNs lovvvvvvve Facebook—and how amazing the "Native America" episode is—and we realized this was actually a pretty brilliant strategy. The episode became a rallying cry for Native people across Turtle Island: it was viewed more than 2 million times in its first week (at last count it was approaching 4.5 Million views and still climbing). Needless to say, many tears of joy and shouts of Native Pride were shared (check the FB comments) as we watched ourselves and our community being represented for how we really are: vibrant, creative, alive and thriving in the midst of all the insanity! So special shout outs to Frank Waln, Inez Jasper, Nataanii Means and Mike Cliff for representing their nations—and all of our people—in a good way. Rebel Music: Native America reminded us that everyday is a great day to be Indigenous.

1. 1491s - "Cherokee"

There's no way this wasn't making the cut. Let's face it. With what we're up against, collectively, we all need more humour in our lives. And, according to the Dine/Dakota/Osage/Seminole/Creek comedy crew the 1491s, we all need more Europe in our lives too. The band, that is, not the continent. The 1491s have made a lot of amazing videos over the years, but this one is such an incredible parody of the 1986 hit, there's just no way the original can compete anymore. And that's saying something, because have you seen the original?? All we can say is MOAR. More of this please. More Turdle Island, more NAMMY GOLD, more HBC blanket antics, more decolonizing Europe, and more of whatever the hell Ryan Red Corn is doing. A newly indigenized modern hair metal classic. Aho!

Frank Waln: "We're a People with a Past, Not of the Past"

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Sicangu Lakota rising hip-hop artist Frank Waln talks story with Originals First about art, education, museums and contesting the "symbolic annihilation" of Indigenous People.

Our friends over at ICTMN turned us on to this new interview with Frank Waln as he tours the Field Museum of Natural History in Chicago. Waln reflects on the imposition of colonial narratives about our peoples' disappearance and erasure that confine our cultures to stolen artifacts locked away in the glass cases of museums.

But he's quick to point out that part of contesting these misrepresentations is to remind people "We are people with a past, not a people of the past".

He also opens up about being raised on the rez, his first encounter with a certain magical reflective disc that unlocked his love for hip-hop, and the value of pursuing higher education in helping Native youth to pursue their dreams.

24-years-old and only just getting started. Waln is on the rise. Salute, brother.

VIDEO: Scatter Their Own - "Taste the Time"

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Lakota/Pine Ridge rock band Scatter Their Own (fronted by husband and wife Scotti Clifford and Juliana Brown Eyes-Clifford) have a new album hitting the shelves in just a month! To get a taste of what's coming, they've dropped their first video and single "Taste the Time."

"Water is life! We as Lakota people, believe that we are only as clean as our water" writes Scatter Their Own. In this video directed by Willi White follow Scotti and Juliana down a desert rabbit hole where our waters are under threat, where dark dreams might come true.

VIDEO: Scatter Their Own - "Taste the Time"

The Best Indigenous Music of 2013

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2013 was a very good year for Indigenous music. Here are our favourite reasons why it's an incredible time to tune in. We're still here—and we're still making amazing music.

Look around you: from the front pages of websites, magazines and the news, to the halls of art galleries, centre stages, and dancefloors, clubs, festivals and playlists, Indigenous artists are at the forefront of almost every form of art and culture. And although we love all kinds of creative expression at RPM, this is a particularly inspiring time for Indigenous music.

In a year that began with the sound of the drum, and in the #RoundDanceRevolution that followed, our music has continued to keep us in time and on beat as the world marches ahead—with our people leading the charge.

As we spin back around for #Revolution2 here at RPM, we asked our Indigenous community to weigh in with their picks for the Best Indigenous Music of 2013.

Mohawk radio host, writer and artist Janet Rogers always knows what's up. At the top of her best album list is Derek Miller's Blues Vol. 1. Why? "Hot, rough, sexy, blues." Other top album picks from Janet are The Johnnys' Rock - "A generous offering of the Thinking Man’s Metal Music" and Patrica Cano, Songs from Tomson Highway’s the (post) Mistress, for her "sultry vocals with perfect pitch."

Anishinaabe broadcast journalist and writer Waubgeshig Rice just posted his Top 10 albums of the year, which includes the doomcore metal grind of Biipiigwan's Something for Everyone; Nothing for Anyone, and Leonard Sumner’s Rez Poetrywhich Rice praised as "a riveting portrayal of the unique struggles and triumphs of Anishinaabe people. It’s the album I’ve been waiting my whole life to hear."

The other Wab (Wabanakwut Kinew, that is), also picked Sumner's Rez Poetry along with Inez Jasper, Winnipeg Boyz, and powwow group North Bear as some of his favourites. Anishinaabe musician, scholar and organizer Melody McKiver listed some interesting additions, including Northern Voice's "Dance of the Moon" and shouted-out the Aboriginal 'Australian' MC K-Otic One's righteous hip-hop compilation the "Idle No More (Invasion Day)" mixtape.

Indigenous Waves radio host Susan Blight echoed many of our choices, and also shouted-out the latest from Quese IMC "Handdrum" for bringing "it all back to the roots; the importance of the sacred fire, the ceremonies, and the sound of the drum" and a unique collab between Just Jamaal and Lena Recollet "What's It All About" that was "released in solidarity with Idle No More--referencing broken treaties, environmental racism, and issuing a call for resistance all over slick production from Hyf the GypsySun".

And, of course, a certain Polaris Prize-nominated Indigenous crew seemed to pop up everywhere we turned and at the very top of everyone's 'Best of' list. But more on that later.

Shout-outs to these stellar releases:

K-otic 1 - "Idle No More Invasion Day Mixtape" PozLyrix - "Chicago Native" Impossible Nothing - "Alchemy" Derek Miller - "Blues, Vol. 1" Tara Williamson - "Lie Low" Rebel Diaz - "Radical Dilemma" The Johnnys - "Rock" Inez Jasper - "Burn Me Down" Kinnie Starr - "Kiss It" Eden Fine day - "Things Get Better" Fawn and Dallas - "Blessings"

The Top 10 Indigenous Albums of 2013

STREAM OUR BEST INDIGENOUS MUSIC OF 2013 PLAYLIST BELOW

10. Frank Waln - "Born Ready EP"

Ascending to the hip-hop pedestal with a calm, collected confidence and wisdom beyond his years, Lakota MC Frank Waln turned the heads of almost everyone this fall when he dropped the powerhouse video for his NDN rap anthem "AbOriginal". With its massive "when I rise / you rise" hook, overflowing lyrical pride, and his obvious love for his people and nation, Waln brought some much-needed realness and a refreshing dose of youthful warriorism back into the Indigenous hip-hop game. Oh and The 1491s' Dallas Goldtooth directed a video for him. And did we mention that Waln composed, recorded and mixed all the tracks himself? And that he writes honorific rap dedications to his mother and grandmother? Yeah, good luck to the rest of you. Frank Waln is walking the talk. And raising the bar. Listen/download: http://frankwaln47.bandcamp.com/album/born-ready-ep

9. Cris Derksen - "The Collapse"

A now-ubiquitous fixture on the contemporary Indigenous music scene, Métis musician Cris Derksen's soaring cello melodies and effects-laden staccato bursts, beats and wailing cries, are a haunting, soaring, cinematic soundtrack to our peoples' burgeoning resurgence that give you chills and the increasing sense of possibility that so much is yet to come... Highly recommended. Listen/Download: http://crisderksen.virb.com/the-collapse

8. Kristi Lane Sinclair - "The Sea Alone"

Speaking of Cris Derksen, you can hear her cello stylings on Haida singer Kristi Lane Sinclair's latest grunge-folk album that, as its title invites, carries you across waves of solitude, heartache, reflection, fierceness and vulnerability.  Kristi’s voice ranges from a low growl to a sultry spell (including one of the best musical deliveries of the f-bomb in recent memory) and her style is not for the faint of heart, which is to say there is a frankness, darkness and richness on The Sea Alone that pulls you deeper into her world with each listen. Dive in. Listen/Download: http://kristilanesinclair.bandcamp.com/

7. Shining Soul - “Sonic Smash”

Shining Soul burst onto our playlists with their commanding album Sonic Smash just in time to make an appearance on the #NationHood Mixtape with their lead-off single "Get Up". But the whole album goes deep with soulful hip-hop anthems that strike back against oppression wherever they find it and find root in the strength and vitality of their creative expression. Listen/download:  http://shiningsoulmusic.bandcamp.com/album/sonic-smash

6. Tall Paul - “Birthday Present EP”

The remarkably consistent Anishinaabe MC from the Twin Cities, Tall Paul, keeps up his stellar record of releases with a head-knocking EP of assured, intelligent hip-hop that made its place on the list just for the standout storytelling track, "Taurus the Bull" (ft. $kywalker). The rest of the record rocks too. This is everyday rap responding to the real highs and lows of trying to survive and thrive in the game. And judging by the sounds of it, the struggle is in good hands. Tall Paul's got bars and keeps it moving, one beat at a time. Listen/Download: http://tallpaul612.bandcamp.com/album/birthday-present

5. City Natives - “4 Kingz”

The dynamic mic skills and boom bap-inflected east coast production of rising hip-hop stars City Natives bangs all the way through. Barely a year into their collaboration as a crew, City Natives brings together the multi-talented forces of Beaatz, IllFundz, Gearl, and BnE, like a young Native rap Voltron. Featuring incredible beat production from Juliano, the pass and trade flows of this crew sounds hungry for respect, recognition, and social change in equal parts. If this is just the beginning, there's no limit to where things can go from here. Listen/Download: http://citynatives.bandcamp.com/album/city-natives-4-kingz

4. Leonard Sumner - "Rez Poetry"

Speaking of realness, you just can't get around the raw authenticity of Anishinaabe singer-songwriter Leonard Sumner. Landing right near the top of almost everyone's year-end list, Rez Poetry, offers a clear-eyed personal take on choices and consequences, struggles and love, and the complexities of contemporary Indigenous life—all spun through Sumner's unique brand of Native roots music that is deeply infused with acoustic guitar hymns, hip-hop rhythms and cadences, and just enough country and rhythm & blues to rep the urban, rez, and everywhere-in-between Indians with equal power. Tune in, kick back, and dream of that open, prairie sky. Listen/download: http://www.cdbaby.com/cd/leonardsumner

3. Leanne Simpson - "Islands of Decolonial Love"

Bridging many worlds, storylines, generations, and forms of creativity with effortless poetics and heartbreaking, deceptive simplicity, Leanne Simpson was the only Anishinaabekwe that we know of who dropped a full-volume of published stories and poetry in tandem with a collaboratively composed album of the same, set to the expansive sonics of many of Indian Country's rising stars (including Tara Williamson, Cris Derksen, A Tribe Called Red, and Melody McKiver). Halfway between story, song, and verse, Simpson's poems flow through you like long-forgotten dreams suddenly remembered. Inspiring, strong and swift, these are the currents of sound that surround each island of decolonial love. All that, and it's available digitally and as a beautifully bright orange analog cassette release. So go dig up that tape player from the basement and rewind into Simpson's hypnotic spell. Listen/download: http://arpbooks.org/islands/

2. Samantha Crain - "Kid Face"

Choctaw singer Samantha Crain is three albums deep, at twenty-seven years young, and her music already echoes and twists through generations of greatness. With her urgent, accomplished and irresistible craft on its finest display to date, Kid Face offers up Crain's melancholy-infused melodic brand of Americana with a suite of songs that navigate pain, love, loss and growth with an aching resonance of unvarnished truth. Samantha Crain is the real deal. The rest are just pale imitations. Listen/download: http://thelineofbestfit.com/new-music/album-stream/samantha-crain-kid-face-album-sampler-premiere-142954

1. A Tribe Called Red - “Nation II Nation”

What other praise can be given to our brothers from ATCR that hasn't already been said? Since dropping their plaintive instrumental "The Road" exactly one year ago today, in honour of Chief Theresa Spence and the Idle No More movement, A Tribe Called Red has continued their stratospheric rise from the booming dancefloors of the electric pow-wow to the forefront of the world's musical consciousness. Seemingly overturning every false colonial conception about being Indian in the 21st century with each kinetic set of party-rocking, this three DJ crew blows the roof off everywhere they go, while always reppin' for the people. With their second full-length album, Nation II Nation, ATCR single-handedly dropped the revolutionary soundtrack that we all knew we needed, while elevating and expanding the possibilities of contemporary Indigenous music culture and pushing their electronic/Indigenous aesthetic hybrid forms to new heights and levels of power. Raise your fist up and get ready. The Tribe stands with us—as we rise together. Listen/Download: http://noisey.vice.com/blog/listen-to-a-tribe-called-reds-new-record-nation-ii-nation

 STREAM: The Best Indigenous Music of 2013

RPM Podcast #013: "Motherhood"

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In Episode 13, RPM looks at Indigenous motherhood and music.

Many nations around Turtle Island have references in their oral traditions and prophecies about the important role of the 7th Generation. This concept refers to the 7th Generation to be born after contact with European settlers and how we must live our lives in a sustainable way making sure the earth is sustainable for 7 generations to come. The people with the most direct connection to the next 7th generations are, of course, our mothers.

Episode #013 of the RPM Podcast hosted by Ostwelve explores three Indigenous mothers who happen to also be active musicians. Lakota Jones (Mohawk, Cherokee, Lakota) credits her children as her biggest supporters. Inez (Sto:lo) went on tour and was surprised to see that some communities were uncomfortable with her breastfeeding her son. Eekwol (Muskoday First Nation) shares stories about how music helped her heal from post-partum depression. All three women are learning how to juggle their careers with their new found commitment to raising the next generation.

DOWNLOAD: RPM Podcast #013: “Motherhood”

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The RPM podcast is produced & engineered by the amazing Paolo Pietropaolo.

Photo illustration created by the talented Joi Arcand with Achomawi Mother & Child by Edward S. Curtis.

DOWNLOAD: Glad as Knives - "Tears of Fire"

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Hawaiin artist Ginger Dunnill and Mandan Hidatsa Arikara artist Cannupa Hanska Luger together make Glad as KnivesThey're a mix of electronic music, Ginger's sweet, smooth vocals and Cannupa's raps, or, as the band describes their sound, "art trash". Indeed their artistry extends beyond the aural. In addition to music and poetry, they incorporate masked performance into their work, inviting the audience to step onto their side of the veil, to their depiction of the absurd and beautiful. They sent us this track to check out and it's been in our ears ever since.

DOWNLOAD: Glad as Knives - "Tears of Fire"

STREAM: Nake Nula Waun feat. Gunner K. & Kilo Trackz - "Till The Nightz Gone"

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From Rosebud Sioux Tribe in South Dakaota, rap/hip-hop group Nake Nula Waun took their name from the Lakota phrase which means "I am always ready, at all times, for anything". While the phrase originates in describing warriors preparing for battle, the band carries the message as a testament to youth and those who live with oppression and poverty. They use music to break through racial and economic boundaries to pursue their passion, and to promote suicide prevention for youth and people of the Plains Reservations. The message, and music, are strong. This track is from their album The Definition.

STREAM: Nake Nula Waun feat. Gunner K. & Kilo Trackz - "Till the Nightz Gone"

Honor the Treaties: Pine Ridge Poster Project Takes Over Seattle and New York

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Acclaimed photographer, Aaron Huey, has partnered with visual artist Ernesto Yerena, and "the most prolific street artist working in America", Shepard Fairey, on an incredible new street art project to raise awareness about the long history of broken treaties between Indigenous Peoples and the United States of America. The project is titled simply: Honor the Treaties.

Following Huey's incredible photographic campaign and TED talk last fall, America's Native Prisoners of War, which documented the Lakota people and the Pine Ridge Reservation in the Black Hills of South Dakota, Huey launched the Pine Ridge Billboard Project to bring to light the Lakota's "real history of broken treaties, of prisoner of war camps, and massacres" by taking the story of the Lakota and other tribes fighting for treaty rights straight to the public in the form of street posters, subway advertising, and billboards.

Forgoing the art gallery exhibition of his photographs or royalties from the sale of his prints to mainstream media publications, Huey has opted to "illuminate a hidden history and empower a community" by making his images available to the public to take the streets and poster their cities' walls, alleys, buildings, and corners with screenprinted posters produced in collaboration between Huey, Yerena, and Fairey.

The Honor the Treaties project website offers three simple directives: download, share, and educate.

After printing the beautifully-illustrated posters of Huey's photographs, the public is encouraged to post and paste them in their communities, submit photographs to the project's Tumblr, and continue the discussion about treaty rights and Indigenous Struggles on the project's Facebook page.

SEATTLE AND NEW YORK

Since February, Huey and his crew have been spreading the word online and enlisting the public's participation—and the results have been incredible.

The project is now fully up and running and the posters have begun to appear all over Seattle and New York City.

DailyKOS has a great set of images posted up in NY and Seattle: Pine Ridge Poster Project Up & Running [DailyKOS]

It's inspiring to see non-Indigenous artists working in support of Indigenous struggles—and a street art campaign like this one seems to be a perfect way to inform and educate the public, while building community amongst those dedicated to justice, freedom, and the liberation of our peoples.

As Huey quotes in his introductory video:

The last chaper in any successful genocide is the one in which the oppressor can remove their hands and say, "My god, what are these people doing to themselves. They're killing each other. They're killing themselves."

Honor the Treaties is an art project to counter this dominant, genocidal narrative by inspiring, re-educating and empowering people to learn more about the ongoing colonization of Indigenous Peoples across Turtle Island and beyond.

Have you seen Honor the Treaties posters in your city or community? Post links to photos, images, and articles in the comments below.

Here's Aaron Huey talking about the inspiration behind the project and where it's headed:

Pine Ridge Poster Campiagn-by Aaron Huey-Emphas.is from Emphas.is on Vimeo.

See other recent coverage of the project:

Honor the Treaties [The Stranger] Honor the Treaties: Street Art Pushes for Accountability [Native American Legal Update]